Anticipation Builds for Bong Joon-ho's 'Mickey 17'
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Hello! This is a preview of the highly anticipated film 'Mickey 17', directed by Bong Joon-ho, who previously won acclaim for 'Parasite' at the Cannes Film Festival and the Academy Awards. This sci-fi blockbuster, set in the 2050s, boasts a production budget exceeding $100 million.
Recently, I've been asked, "Is 'Mickey 17' not that great?" My response is that it’s not exactly disappointing; if I had to rank it, I’d place it somewhere between 'Snowpiercer' and 'Okja'. (For clarity, I do enjoy 'Snowpiercer' as well.) If you go in expecting another masterpiece like 'Parasite', you might be let down, but the film offers stunning visuals and an engaging universe, making it worth seeing in theaters.
'Mickey 17' is an adaptation of Edward Ashton’s novel 'Mickey7'. If you’re wondering whether to read the book first, I recommend watching the film instead. Reading the novel beforehand might make the initial world-building feel tedious.
The story revolves around a human printing technology that allows for the repeated creation of individuals by uploading biological data and memories. In this era, replacing humans is cheaper and more efficient than machines. The protagonist, Mickey Barnes (played by Robert Pattinson), is an 'expendable' sent to dangerous locations for space colonization, repeatedly dying and being resurrected. Just knowing this much will suffice.
One of my favorite scenes is when Mickey is printed. Instead of a sleek modern laser printer, it resembles an old inkjet printer, clunkily producing Mickey in a way that is both humorous and tragic, perfectly capturing the film's tone.
As an explorer on an icy planet, Mickey faces radiation exposure, toxic gas, and becomes a test subject for new drugs, constantly dying and being reborn. He is thrown into a furnace only to be printed again, evoking the concept of reincarnation. Robert Pattinson’s portrayal of the 17th Mickey, 'Mickey 17', with his slumped shoulders, delicate voice, and weary smile, effectively embodies the plight of a laborer.
The supporting cast also delivers strong performances. Mark Ruffalo shines as a rockstar-like dictator, but I found Steven Yeun’s role as Mickey’s friend particularly memorable. His innocent question, "What does it feel like to die?" is so infuriatingly naive that it makes you want to give him a kick. He plays a character that is charming yet unsettling, though I wished he had more screen time.
In the original novel, I was curious about the native creature of the icy planet, the 'Creeper'. The film’s depiction, crafted by a monster expert, is bizarrely captivating. It combines the grotesqueness of 'The Host' with the cuteness of 'Okja'. While the book describes it as a giant spider, the film presents it as a creature reminiscent of an armadillo or a furry maggot. The scenes where Creepers swarm are thrilling, akin to witnessing a monster movie in space.
Bong Joon-ho proudly claims this is his first film to include a love story. The peculiar love triangle between 'Mickey 17' and 'Mickey 18' over their girlfriend, Nasha, adds an interesting twist. While viewers may not perceive it as a traditional love story, it offers a taste of what a Bong Joon-ho love film feels like—strange yet endearing, much like the Creepers.
While 'Mickey 17' is an engaging film, it may struggle to meet the heightened expectations set by 'Parasite'. The tension characteristic of Bong Joon-ho's work is somewhat lacking, and the pacing feels loose in the middle. While the original novel delves into philosophical questions about whether 'Mickey 17' and 'Mickey 18' are the same person and the nature of human cloning, the film leans more towards satirizing inhumane capitalism and arrogant colonialism. This overt satire may detract from the depth and enjoyment found in the source material. The villain, portrayed in a comic and slightly deranged manner, feels overly typical compared to the film's themes.
Given its substantial budget, the film appears to be crafted in a lighter, more mainstream style. Personally, I found the movie enjoyable, but I preferred the original novel. As with any film that divides opinions, it’s best to see it for yourself. 'Mickey 17' is set to premiere in South Korea on February 28, marking its global debut. Until next time, thank you for reading!